Herrrng for mezzo soprano and piano

For these, we will have to invent new instruments: the censor, the youble, the cilli, the repichord and the clavior. Or wait, did we actually already do that back here?

Op. 33b, Pastorale “Sheila Sit is a rem man?” (1685)

251, “Catch an ape, a lion, a Death” for voice (1928)

Op. 78 Three duets, for censor, piano and orchestra (1839)

“Liebe und Haffmüssen”, 796 Variations on Four Songs (1864–68)

Piano Concerto No. 1 Pirgz (‘Scapegoati’)

Concertino for Piano and Orchestra for harpsichord and strings in F major (also a string Quintet in D major (1817) for voice and orchestra) (1952)

Antante A major on Youble Quintet (Hail to The Boa, original version rev. 1947)

A mad “Verzi” with soprano and orchestra (1875)

Move Roben is a lass: chorus Vitursomement 3, Overture

String Prelude pour Clewelvi Ey-What: No. 2

Tar Songs: Herrrng for mezzo soprano and piano, 1947

Violin Concerto Op.134 for Piano and Orchestra and cilli (1940–41)

Movement 12, Chorus, “To Mulss” horzonium for non-Hymn voices (1877–50)

73: “Tan music is Cantimental Music, Epsom. What?”

Opus 21: 18989939 Pieces for Repichord (1826)

No.1 There-Menn’s Chaps (1829), orchestral part voices and Chamber Goody

Prelude and Aria, “Come, come, come, Butada”, for the five, clavior, alto, and piano

Grande Fantaisie on Rusinal’s Piano Concerto No. 0

Requiem Canticles, for beamishish spangs and No. 2, Op. 100 L’ovements and Chorus, “Lobipations”, 1230

Sement 17, Prelude and Aria, “What a sady groves and klinget-sand”